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Duccio di Buoninsegna Slaughter of the Innocents Museo dell'Opera del Duomo, Siena
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Duccio di Buoninsegna The Maesta Altarpiece 1308-11
Museo dell'Opera del Duomo, Siena
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Duccio di Buoninsegna Madonna and Child Enthroned with Angels and Saints Museo dell'Opera del Duomo, Siena
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Duccio di Buoninsegna Crucifixion Museo dell'Opera del Duomo, Siena
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Duccio di Buoninsegna Crown of Thorns Museo dell'Opera del Duomo, Siena
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Duccio di Buoninsegna Entry into Jerusalem Museo dell'Opera del Duomo, Siena
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Duccio di Buoninsegna The Last Supper00 Museo dell'Opera del Duomo, Siena
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Duccio di Buoninsegna Wedding at Cana Museo dell'Opera del Duomo, Siena
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Duccio di Buoninsegna The Transfiguration 1308-11
National Gallery, London
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Duccio di Buoninsegna Annunciation National Gallery, London
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Duccio di Buoninsegna The Holy Woman at the Sepulchre 1308-11
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Duccio di Buoninsegna The Calling of the Apostles Peter and Andrew 1308-1311
The National Gallery of Art, Washington DC
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Duccio di Buoninsegna Temptation on the Mount Frick Collection, New York
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Duccio di Buoninsegna Madonna and Child Pinacoteca, Siena
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Duccio di Buoninsegna The Madonna of the Franciscans 1287-88
Pinacoteca, Siena
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Duccio di Buoninsegna Rucellai Madonna (mk08) c.1285
Tempera on wood
450x290cm
Florence,Galleria degli Uffizi
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Duccio di Buoninsegna The Temptation of Christ on the Mountain (mk08) c.1308-1311
Tempera on wood,
43.2x46CM
New York.
The Frich Collection
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Duccio di Buoninsegna Christ Entering Jerusalem (mk08) 1308-1311
Tempera on wood,100x57cm
Siena,Museo dell'Opera del Duomo
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Duccio di Buoninsegna Madonna and Child (no. 593) dfg 1280s
Tempera on wood, 63 x 49,5 cm
Pinacoteca Nazionale, Siena
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Duccio di Buoninsegna Gualino Madonna sdfdh after 1285
Tempera on wood, 157 x 86 cm
Galleria Sabauda, Turin
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Duccio di Buoninsegna
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1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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